Quality fashion trends in 2022 with Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. He was seen modeling for designer brands such as Trashy Clothing where he was featured on Mille Magazine and W Magazine, he started his modeling career (aged 15), In 2019, working with local Jordanian Brands, Like FNL and Moustache, which gave him the experience he needed to work with bigger designers and to work internationally, after moving to London in 2022, Qassim made his debut in London Fashion Week AW22, Under Fashion Show Live, Modeling for Multiple designers, including JAQKODI.
Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: These two designers are used to making political statements. In 2018, they presented a runway show in Berlin that featured a wall obstructing the view for half of the audience, a division that represented the one between Palestine and Israel. Lawrence and Braika embrace the discomfort. “That is part of our brand identity, the superficiality mixed with pain,” Lawrence says. “It’s about contradictions, teaching, raising awareness, putting the consumer onto not only buying clothing for its aesthetics but also for its story.”
Danish designer Cecilie Bahnsen had her Paris Fashion Week catwalk debut yesterday, after being invited to join the schedule during the pandemic. The show opened with a reading of Tove Ditlevsens ‘Night Wandering’, which was translated for the first time into English by Michael Favala Goldman. Cecilie first began to read Tove Ditlevsen’s poetry as a teenager, the brand explained. Later, in her 20s, she identified with Tove’s search to find her voice. Tove was a prolific chronicler of girls and women, writing fearlessly about their complexity and waywardness and struggle for a place in the world. Nanushka chose to celebrate the creative study of functional and intuitive design for AW22. Entitled ‘Industrial Craft’, the message behind the collection was that if a garment is designed to function well, it will, by definition, be beautiful.
Valentino landed the number two spot, after not ranking last season. What that tells us: There must be power in pink. Pierpaolo Piccioli’s exclusive use of eye-popping hot pink and black divided reviewers, but not Vogue Runway’s readers. Also: There’s definitely power in celebrity. A Zendaya sighting never hurts and the superstar made her only appearance of the season at Piccioli’s show. His Paris venue had screaming fans by the thousands outside to greet her, a site and sound reproduced over and over again this season, with Kim Kardashian turning up at Prada and Balenciaga, Julia Fox at Versace, and the resplendently pregnant Rihanna at Gucci, Off-White, and Christian Dior. Maria Grazia Chiuri’s Dior collection was our number-one most-viewed show of the season. She also had Blackpink’s Jisoo in the front row.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: Nöl Collective tells the stories of Palestine through its use of textiles, dyes, and prints. The collective engages with its homeland by centering nearly lost practices and art forms in every piece of clothing—think simple cotton fabrics printed with the fruits and plants of Palestinian land, and multihued striped pockets made with ancient embroidery techniques. “Clothing is inherently political in every way,” says Yasmeen Mjalli, the collective’s creative director and founder. “It’s political in the way that the clothing of oppressed people is used to tell stories of historical and contemporary power dynamics.”